Night Terrors podcast

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Night Terrors Radio – Rene Perez – Director of Cry Havoc

Rene Perez has managed to do something really special with his latest Havoc-fueled entry in the series, “Cry Havoc”. Like other brilliant action-horror mash-ups such as Silent Rage, Perez ...

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Night Terrors Radio – Vampire Horror “Captive”

Remember what seems now like the distant past when Hollywood was seemingly overrun with vampires? Aside from the sparkling variety I didn’t mind it so much. In fact, I’m quite in love with...

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Night Terrors Radio – David Palarmo and Murder Made Easy

Good murder mysteries have seemingly become a thing of the past. With Clue still a fan favorite and Knives Out on the way there are those of us who quite simply relish the genre niche that we undoubte...

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Night Terrors Radio – Horror Director Greg Lamberson

With over 35 years of horror already under his belt, horror author and filmmaker Greg Lamberson isn’t about to stop anytime soon. The creator of such films as Slime City, Johnny Gruesome and the...

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Night Terrors Radio – Episode 46 Hour 2 – Stranger Things, IT Chapter 2

After talking with filmmaker Thomas Haley about his short horror film “The Crossing” we were inspired to talk about filmmaking and those moments that genuinely elicited a response in us. F...

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Night Terrors Radio – History of Horror Comics with Voodoo Comics’ Jim Lesniak

I love horror comics. As a fan of Swamp Thing, Tales from the Crypt, Faust and GoreShriek, I love them at their most iconic and their most extreme. I, however, have nothing on Jim Lesniak. Lesniak, th...

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Night Terrors Radio – Dark Soul Studios’ Ben Harl on growing up ‘horror’

Based as we are out of central Illinois, it is rare that we get the opportunity to speak with creators that are local to us. We spend a lot of time speaking with filmmakers and personalities on the ea...

Bloody-Ballet

Night Terrors Radio – Interview with Bloody Ballet Director Brett Mullen

Bloody Ballet is definitely a horror film with a rich pallet. Paying homage to Italian giallo films such as Argento’s Suspiria while still retaining its own voice, it is a film with purpose and ...

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