For all the discussion surrounding The Backrooms and its young director, Kane Parsons, the film’s greatest strength isn’t its mythology or worldbuilding—it’s its emotional psychology....
Obsession is the kind of horror film that survives almost entirely on execution. Strip away the performances and Curry Barker’s latest could have easily landed...
There are bad horror movies. There are forgettable horror movies. And then there’s Do Not Enter — a film so aggressively manufactured, so painfully trend-chasing,...
★★½☆☆ (2.5/5) Modern horror is often at its most effective when filmmakers treat atmosphere as a character in itself. In that regard, The Undertone succeeds...